Oftentimes on The Flop House we wind up watching Hollywood movies that are just kind of dull or mediocre or unimaginative. The Bride!… is not one of those. For all its flaws, it’s at least a bona fide personal vision that also happens to be a fiasco. And you know what? That’s kind of heartwarming. We’re joined by Kenice Mobley to dissect (ha) the many parts that make up The Bride!

Stuart takes us on a tour of several significant movie directors, asking Dan and Elliott to guess which of their works are top rated on IMDb and which ones take the bottom slot, and discussing whether the rankings are justified.

Emerald Fennell took one of the classic works of literature most beloved by horny youth and said, “But what if I took out the subtlety?” It actually made quite a lot of money at the box office, but did it work for the Flop House? Guess you’ll have to listen to find out. (See, Emerald? That’s how you TEASE.)

Our old friend Alonso Duralde, who literally wrote the book on LGBTQ+ representation in the movies, stops by to the Flop House to ask three cis hetero guys, “Hey, what was the first queer representation YOU remember seeing on film?”