A Podcast About Bad Movies
Charli XCX is a huge pop star, seems cool, and is a genuine film lover — but when she decided to make her own movie, were the results any good? That’s what we were wondering about THE MOMENT, and we invited star of the show (and bigger Charli XCX-pert than any of us) Hallie Haglund back to the show to help us decide.
Stuart brings back the world’s most popular Flop House after-show, hosted by one of the hosts of The Flop House, and this time Hallie’s here (her presence makes more sense when you realize that we taped next week’s full episode with her first, but this one was the first to release). This time, Stu asks The Flop House gang about their experiences with live shows, with some diversions into Dan, Elliott, and Hallie’s tenure as writers for The Daily Show!
Shocktober threatens to break the bounds of the fall, with this unexpected incursion into August. This aggression will not stand! Watch yourself, Shocktober! Anyway, on this episode we discuss The Mummy. The one with Brendan Fraser? No. The one with Tom Cruise? No. The one with Boris Karloff? No, silly, LEE CRONIN’S THE MUMMY. He wrote his name on it with Sharpie before putting it in the fridge!
Elliott guides us through an overview of movies with “summer” in the title, and asks us to evaluate them based on our own summertime experiences.
Way back in the winter we stopped by SF Sketchfest to discuss the film that gave us the mental image of Dana Carvey in a turtle suit, solemnly remembering the victims of 9/11 — THE MASTER OF DISGUISE. Join us as we discuss the astounding/sometimes racist adventures of Pistachio Disguisey! And thank you to the wonderful folks at Cobb’s Comedy Club for hosting us yet again!
Proving that Stuart’s not the only one who can do a lore deep dive, Dan takes us on a tour of one of his more oddball obsessions, the 1985 cartoon series Jem, and it’s one of our longest minis ever. Truly, truly, truly outrageous!
Oftentimes on The Flop House we wind up watching Hollywood movies that are just kind of dull or mediocre or unimaginative. The Bride!… is not one of those. For all its flaws, it’s at least a bona fide personal vision that also happens to be a fiasco. And you know what? That’s kind of heartwarming. We’re joined by Kenice Mobley to dissect (ha) the many parts that make up The Bride!
Stuart takes us on a tour of several significant movie directors, asking Dan and Elliott to guess which of their works are top rated on IMDb and which ones take the bottom slot, and discussing whether the rankings are justified.
Emerald Fennell took one of the classic works of literature most beloved by horny youth and said, “But what if I took out the subtlety?” It actually made quite a lot of money at the box office, but did it work for the Flop House? Guess you’ll have to listen to find out. (See, Emerald? That’s how you TEASE.)
Our old friend Alonso Duralde, who literally wrote the book on LGBTQ+ representation in the movies, stops by to the Flop House to ask three cis hetero guys, “Hey, what was the first queer representation YOU remember seeing on film?”
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