The Mixed-Review House rolls on with Kenneth Branagh’s second outing as Hercule Poirot, Death on the Nile. It’s a character he seems committed to playing, despite seemingly having no particular understanding or affinity for the source material. But hey, at least he’s keeping the CGI pyramids industry in business!

Dan’s back in the driver’s seat for this mini, and he challenges Elliott and Stu to a game so insidious, it almost breaks the podcast.

Despite its relative financial success and reviews that are more “mixed” than bad, M. Night Shyamalan has become such a FH all-star, that we had to check out Old: The Beach that Olds People. (As Dan is fond of saying, “Don’t get hung up on our name.”) Unsurprisingly, it gave us a ton to chew on. Please don’t be mad at us just cause we don’t think it’s a masterpiece, Blank Check buddies. Maybe y’all should skip this one. Everyone else in the world — enjoy!

Elliott takes us on another journey through a movie ONE of us have seen, but the others haven’t — in this case, the gritty crime thriller Night of the Juggler, a movie completely devoid of juggling.

What’s this? An IN-PERSON episode? That’s right! Elliott was in town to officiate a wedding, so we took a little time to get together in person and record an episode for y’all. And what movie did we pick for such a special occasion? How about something that showed up on basically every “worst movies” list of last year — something that sat on the shelf for half a decade and has been in development for 4x that? You guessed it! We tackled Pierce Brosnan’s Wig Party aka The King’s Daughter!

In which Stuart wastes the time of his friends and an Academy Award-nominated filmmaker by asking us all about our favorite fruits, a food Elliott hates.

Let the moon faaaallll / when it crumbuuuules / we will watch iiiiit / and all make fun together! Slight hangovers on two of the Flop Boyz ™ aren’t enough to dampen the fun of the profoundly stupid Moonfall, a movie about a falling moon.

rprises Dan and Stu with a series of impromptu debate prompts, forcing his co-hosts to argue for the cinema mothers they’d most like to have as moms.