Upside Down is a movie about two young lovers from planets with reverse gravity, and we somehow make it through the whole episode without making a joke about 69-ing. Meanwhile, Stuart gets his annual review, Dan can’t stop getting all science-y, Elliott discusses auto-erotic time travel, and… we’ll let you enjoy the surprise.

Walter Hill has made several great movies in his career. Is Bullet to the Head one of them? Meanwhile, Stuart unveils a new impression in his repertoire, Dan inspires a discussion about the horrors of gorilla sex, and Elliott keeps missing our special celebrity guest.

Hansel & Gretel: Witch Hunters was produced by Adam McCay, so it was clearly meant as a goof, but is that enough? Meanwhile, Elliott makes an indecent proposal, Dan reveals a startling breadth of knowledge regarding Misty Mundae’s acting career, and Stuart lays down the pun laws. Also, the OP’s receive the GREATEST GIFT IN THE HISTORY OF MANKIND.

Some more fantastic fan art from Gustaf. A visualization of the never-existing Saturday morning cartoon mentioned in the Marmaduke episode.

We hope the psychic damage we endured was worth it do you guys: we finally caved and watched Marmaduke. Meanwhile, Elliott reveals Marmaduke’s historical shenanigans, Stuart’s Pacific Rim review gets scatological, and Dan would be indulging in blatant Parade-pandering with his Howard Huge reference, if we hadn’t recorded before they endorsed us.

We have the best fans. Check out more of Kathy McLeod’s great comics HERE.

We finally get to the Roger Ebert tribute episode, with our movie pick voted on by you from his book “I Hated, Hated, Hated this Movie.” You chose The Scarlet Letter. You hate us. Meanwhile, Dan can’t seem to get ANYTHING right, Stuart reveals a very specific Nic Cage fetish, and Elliott does his famous […]

With A Good Day to Die Hard, does the Die Hard action series finally have its Kingdom of the Crystal Skull? Meanwhile, Dan pitches the chimp teen sex comedy to end all chimp teen sex comedies, Stuart breaks AGDTDH down movie-pitch style, Elliott performs Shakespeare’s lost and most gender-confusing play, 0:00 – 0:33 – Introduction […]