Shocktober continues/ends with Dario Argento totally forgetting everything he knew about filmmaking (and we don’t even like him that much) with Dracula 3D. Meanwhile, Dan reveals the alternate, director’s cut ending to Escape (The Pina Colada Song), Elliott out-pervs the pervazoid with his demands for more nudity, and Stuart once again astounds with his facility for accents.
BOOOOOGENS! Welcome to the first episode of SHOCKTOBER 2014 (and the first episode officially under our new podcast network, MaxFun). And because we would never Halloween trick you, instead we’re treating you to a guest appearance by Hallie Haglund, sitting in with the OP’s, to discuss The Quiet Ones. Meanwhile, Elliott lists all the great MaxFun podcasts, Stuart once again shows his ignorance of all things Internet, and Hallie puts Dan in his place.
Smalltember continues with perhaps the smallest movie we’ve ever covered, the bad movie new classic “A Talking Cat!?!” Meanwhile Stuart entertains the lizard representative of Harlem, Elliott gives helpful mnemonic devices for the major German directors, and Dan does some research into the pervy past of the movie’s creative team.
The OP’s are all back in action, celebrating the all-NEW made-up holiday of “Smallvember.” First up, the Christsploitation film “God’s Not Dead” filled with the straw-manniest straw men outside of a county fair. Meanwhile Elliott and Detective Columbo disprove the flat Earth theory, Stuart reveals a surprising knowledge of the Christian rock genre, and Dan announces a new contest!
No movie has sexualized pastry so much since American Pie, yet somehow Labor Day is even less erotic than Jason Biggs balls-deep in apple filling. Meanwhile Stuart does some brilliant voice work, Dan loves the versatility of DVDs, and Elliott regales the world with Tales of Ruck.
With audiences primed to be disappointed by a new Hercules movie in theaters, why not be like the Peaches and be disappointed by The Legend of Hercules in the comfort of your own home. Meanwhile Elliott tells us the secrets of the ancient Greek hamburger, Dan has uncanny recall for old Disney cartoons, and Stuart tells sad tales of British totty.
Producer Luc Besson and director McG made a bet about the number of tones they could cram into 3 Days to Kill, and the audience lost. Meanwhile Elliott does his classic “2000 Year-Old Killer” routine, Dan gets more inappropriately sexual than ever before, Stu introduces the concept of a “neck baby,” and TVs Jessica Williams stops by, because why the heck not?
We discuss Last Vegas, which is, of course, a documentary from the far future about the time the elderly Original Peaches and friend went to Las Vegas. Meanwhile Dan unveils his totally original, copyrighted concept, Elliott reveals how he does creep research, and Stu pulls out a letters surprise.
