FH Mini 79 – Trailer Time in Teasertown
Stuart runs us through some of those tantalizing, teasing trailers.
Stuart runs us through some of those tantalizing, teasing trailers.
Yeah yeah yeah, Ashton Kutcher and Reese Witherspoon, whatever, let’s talk about REAL STAR POWER — Hallie Haglund! Hallie’s back! HALLIE! HALLIE! HALLIE! She joins us to discuss our second romcom in a row: Your Place or Mine, a nonsensical romp about a week-long accountancy course, and also love.
Elliott guides us in a cinematic celebration of everyone’s favorite holiday — tax day!
Huh. Traditionally, one gets TWO tickets to paradise, but I guess we didn’t get a plus one. You know what? Climb into our luggage, so you can join us as we discuss Ticket to Paradise, a holdover from an earlier era when we still had movie stars, and used them to paper over not having much else.
As a thank-you for everyone who became a new or upgrading member during Max Fun Drive 2023 or has been a sustaining member for years, we’ve provided some bespoke movie recommendations for some fortunate listeners who reached out in response to our call! (If we didn’t get to yours this time around, fear not! We hope to do more in the future.)
It’s Max Fun Drive time (if you haven’t already, please consider becoming a member of Maximum Fun and supporting The Flop House), and we decided to give ourselves a real challenge for this one — we watched the Judd Apatow “hey maybe there’s something funny about this pandemic” Netflix all-star “comedy” The Bubble. Did it make our heads explode with exasperated fury? Listen to find out!
Stuart takes us through another episode of “The Peach Pit,” everyone’s favorite after-show for The Flop House that’s also just a part of the regular Flop House.
The listener who entered our Sexy Xenomorph contest under the name “Do Critters Next” asked us to “Do Critters next,” so we did Critters next, which has ceased to become “next” and is now now. And who better to join us for this slice of silly 80s monster horror than a man whose own films bear the influence of that horror decade, Stephen Kostanski, the director of Psycho Goreman, the movie that turned Stuart Wellington into a brain in a tube.