We’ve seen him 3D, but are we ready for Dracula: Untold? Meanwhile Stuart demonstrates his innovative mixology, and Elliot and Dan reveal the surprising Dracula-centric details of the Mad Men finale.
It’s the moment that the bad movie cognoscenti have been waiting for, as we discuss The Boy Next Door. Meanwhile, Stuart explains the “character” he plays, Dan becomes a proponent of the female gaze, and Elliott describes some of the lesser-known sexually explicit Disney cartoons of the 60’s.
We return to the “romantic fantasy” genre that served us so well (?) with Upside Down as we discuss the Colin Farrell vehicle, Winter’s Tale. Meanwhile, Dan explains Aerosmith’s magic powers, Elliott implores a horse to help him make his booty call, and Stuart wonders whether he was the one in Spaceballs.
Turns out that being Christopher Nolan’s cinematographer is not the same thing as being Christopher Nolan, as we found out when we endured Transcendence. Meanwhile Elliott explains Dan’s unusual way of reading, Stuart has a Transmorphers flashback, and Dan sings…
There’s just something about a terrible kids’ movie that brings out the best (?) in us, so we dive headfirst into the CGI flop Legends of OZ: Dorothy’s Return. Meanwhile, Stuart gives important advice to our kidnapped listeners, Dan inadvertently pitches the new hit movie “Uncatchable,” and Bizzarro Elliott makes an appearance.
Flop House repeat offender Idris Elba romances Taraji P. Henson in the Valentine’s Day favorite No Good Deed. Wait, did we say “romances?” We meant “terrorizes.” Meanwhile Elliott tells us of James Bond films of the future, Dan tries to play a game of Radio Zork, and Stuart introduces the new Sweet Amazing Candy Penis.
We will never watch anything with nearly three hour bloat again, so enjoy the special snowflake that is us discussing the most recent installment of Bayhem, Transformers: Age of Extinction. Meanwhile, Elliott explains how to find a Transformer’s clitoris, Stuart keeps on Castle Freakin’ on, and sleepy Dan (sort of) returns. Press the play button […]
Recorded on 1/9/2015 in front of a live, sold out crowd in The Bell House in Gowanus, Brooklyn.
