We discuss Easy Rider: The Ride Back, an object lesson in why you should never let a movie’s sequel rights lapse. Meanwhile Dan explains the Flop House fan caste system, Elliott puts the “bar” in barter, and Stuart knows nothing about robots.
1980 was a simpler time, when you could put Clint Eastwood together with an orangutan, not bother to come up with a story, and release it as a major motion picture
Stu’s a guest on the Star Wars Minute podcast all this week.
We talk about Grudge Match, the movie that pretends DeNiro has a chance against steroidal Stallone. Meanwhile Dan discusses Kevin Hart’s need to do only Kevin-branded movies, Elliott uncovers Sean Connery’s strange belief he’s in every movie, and one of Stu’s relatives makes an unexpected appearance.
Han Solo vs. Commissioner Gordon sounds awesome, until you realize the star of Paranoia is actually a Hemsworth brother. And not the good one. Meanwhile Elliott doubles down on the size of Gary Oldman’s penis, Stuart disturbs us by talking about intimate times and Dan introduces the notion of a California Raisins fetish.
We return to a big, old-fashioned Hollywood flop with Gangster Squad, the movie that takes a bunch of good actors and a promising director and churns out a film thats absurd and deadly dull by turns. Meanwhile Elliott gives Hoagie Carmichael gift advice, Stuart comes out for cast awareness, and Dan is tired and really doesn’t keep up his end of the co-hosting duties. This episode brought to you by the letter “H.”
Consider our debt to “He’s the Housecat (Arthur’s Theme)” music video contest winner Dan Costales paid in full! Was it worth it Dan? Was if worth the pain you caused? Making us watch the pre-Oscar Halle Berry racist stereotype comedy “B*A*P*S?” Meanwhile Elliott continually implies Martin Landau is a vampire, Stuart reveals how all males are sexually threatened by him, and Dan suggests that the Crypt Keeper should’ve come up with a better B*A*P*S twist.
We ease Elliott back into the Flop House groove with a movie right in our wheelhouse: the Men in Black/Ghostbusters-lite disaster R.I.P.D. Meanwhile Dan introduces the concept of ghost hats, Elliott uses the new recording space for its foley possibilities, Stu rails against shark-drummer racism, and the whole gang does their impeccable Boston accents.
